Multiplying images
It started with a series of voyages. To the Arctic. To the outer Hebrides. To a cow farm in Bedfordshire. Up the M11 motorway. Through a factory. Into a kitchen for a cup of tea. Then it was split into two images: a split screen; a man split between a bear and a man; a bear split between a man and a bear. It’s the Skin You’re Living In. A split screen film about separation and connectedness. And then it multiplied, up to 7 images: an installation; 7 mobile phones showing seven fragments of the film, in sync. It’s the Skin You’re Living In. And now it’s being split again; it’s being multiplied again. We’re working on a multi-user app version of It’s the Skin You’re Living In. A group of people, 2, 5, 7, 15, 20, any number, play the film across the screens of their phones, each phone a fragment, split from and connected to the others.It started with a series of voyages, then it was split into 2, then 7 and now any number. Connectedness and separateness; here and there; now and then.